It would not be outlandish to say that Thom Yorke is one of the most influential figures in the modern music industry. Ever since Radiohead burst into the mainstream with OK Computer in 1997, Yorke has been at the centre of popular music’s evolution in the 21st century. Be it through his innovative mixture of rock and electronic music, his poetic lyrics, or his anguished vocal style, he has influenced countless artists worldwide. In many ways, Thom Yorke Live at Sydney Opera House perfectly captures what makes the artist great. Yorke’s new concert film combines footage captured during his two sold-out shows at the Sydney Opera House in November 2024, an intimate affair in which he performed completely solo, accompanying himself on piano and guitar, amongst other things.
What makes the film interesting is that without the presence of additional musicians, the essence of Yorke’s music presents itself in a new light. Stripped back, it becomes clear that Yorke is a communicator. His music is defined by a yearning to communicate with his audience—to be in conversation with his viewer. Yorke’s work resonates with people not just because it puts voice to the melancholy at the centre of modern life, but because he is trying to be genuinely understood by those who relate to him. He is fostering a kinship with his listener that makes them feel as though every song is addressed to them, because in a way it is.
Director and cinematographer Dave May seems to understand this deeply, and constructs a concert film that feels profound and intimate, despite the large scale of its venue, to accommodate the essence of Yorke’s performance. The film’s setlist is quite enjoyable, combining such Radiohead classics as “Let Down” and “All I Need” with Yorke’s exciting solo material. Vocally, he sounds better than he ever has, his tortured singing aging like a fine wine and resulting in a truly moving performance.
All in all, Thom Yorke Live at Sydney Opera House is a truly transcendent concert film experience that is sure to delight both fans of Yorke’s work and more casual listeners, and anyone who misses its limited theatrical run will be incredibly sorry.